天装战队护星者

美丽中国河北行｜在七里海，来一场康养游_我的网站

一 |     立秋过后，位于秦皇岛市北戴河新区的华北最大潟湖七里海，碧水丰盈，水鸟嬉戏。水岸上，修复后的植被郁郁葱葱，仿佛将这片湿地拥入怀中。    

    Chinese actress Luo Xinyuan played Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Photo: Courtesy of Luo XinyuanAs China's once-thriving live-action short drama industry looses speed due to the weight of AI-generated content and shrinking investment, a growing number of young actors who once starred in micro-dramas are moving to a different kind of stage: playing roles at cultural tourist attractions. 
There, they play martial arts heroes and folk characters for live audiences, finding steadier income and real-time connection with viewers. 
"Earning a living with your own hands is nothing to be ashamed of," actress Luo Xinyuan told the Global Times, even as many still hold out hope, waiting for good scripts.
The migration reflects a stark reality. In the first quarter of 2026, AI micro-dramas accounted for more than 95 percent of all micro-dramas released industry-wide, sharply squeezing the space for live-action productions. 
By July, pay for leading actors had shrunk by over 50 percent, mid-tier actors by more than 80 percent on average, and daily wages for bottom-rung extras had fallen into double digits, China's CCTV reported.
Luo, a 21-year-old actress, experienced the downturn firsthand. She came to Hengdian, China's largest film and television production base, to shoot short dramas. "When I first arrived, there were many crews preparing in one hotel. Now sometimes there are only one or two, or none," she told the Global Times. 
This May, she began playing the role of Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Her daily routine includes interactive stage competitions, parades and live audience interactions, working nearly 13 hours daily during the peak summer season.
"It's tiring but fulfilling," Luo said. "There are no scripts here. It's more about playing with visitors face to face." The change has eased her anxiety. "When I was filming, I kept worrying about the next job. Now I feel more stable."
Yin Jiaxuan, 25, took a different route. He started his career as a professional character performer at major theme parks, starring in immersive shows based on popular game and film IPs before transitioning to short dramas and online movies in mid-2024. 
At the industry's peak, he moved seamlessly between sets. 
"One crew wrapped, and the next was already arranged. I'd go straight to makeup the next day and start filming the day after," he said. Now he keeps both identities, taking film roles when they come and returning to scenic spots during holidays.
Yin rejects the stigma that screen acting is the only proper path. 
"Screen acting is seen as the professional main road, while street-level performance is treated as amateur work. This invisible prejudice has trapped many performers," he said. Yet the tangible stage offers something the camera cannot. 
"Performance comes from life and is higher than life - that is the core of film creation. But now I realize that beyond artistic expression, performance is about building human connections."
Both actors shared that theme park characters must do more than act; they must draw tourists into the scene, delivering emotional value on demand. Visitors come to the scenic spot not just to sightsee, but "to step into a fantasy."
    Yin Jiaxuan Photo: Courtesy of Yin JiaxuanScenic areas are reaping the benefits. Media outlets have reported that in Kaifeng's Wansui Mountain Martial Arts City, Central China's Henan Province, tourists who interacted with these characters stayed an average of 2.3 hours longer per day. 
Every extra 30 minutes of stay raises the probability of secondary consumption by about 25 percent, according to local data. Revenue jumped from about 80 million yuan ($11.86 million) in 2022 to 1.27 billion yuan in 2025. 
While Hengdian World Studios has used characters to boost repeat visits, with annual pass holders returning multiple times "for a specific character."
Cultural scholar Yu Jinlong told the Global Times that the influx of trained actors is upgrading immersive tourism. 
"In the past, theme park characters were mostly amateurs doing costume photos. Now professional actors can build complete characters, improvise and connect storylines, turning scenic spots into open-air theaters," he said. 
Yu pointed out the uniqueness of China's character boom compared with global immersive entertainment. 
"Unlike Western theme parks that rely heavily on mature imported IPs and standardized performances, China's scenic character culture is rooted in local wuxia (martial hero) history and folk customs, encouraging personalized improvisation. Many local scenic spots create hit immersive projects with small investments, forming a unique online-offline communication loop via social media," Yu said. 
As China's cultural consumption shifts from sightseeing to participation, Yu said the young actors swapping short drama sets for scenic spots may be shaping a new hybrid career for the country's entertainment workforce.
For Luo, the recognition from visitors is a reward in itself. 
"There are tourists who travel from far away just to see my performance. It feels good to be recognized," she said. "Actually, I'm still exploring too. But I think you should do what you love, as long as you have the ability."
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二 | 蓝绿交织间，尽显生态之美。这是北戴河新区践行“绿水青山就是金山银山”理念的生动缩影。潟湖，是指被沙嘴、沙坝或珊瑚分割而与外海相分离的局部海水水域。去年，七里海潟湖生态减灾案例入选自然资源部和世界自然保护联盟发布的《海岸带生态减灾协同增效国际案例集》。“近几年，丹顶鹤、白琵鹭、小天鹅等珍稀鸟类都回来了，来七里海潟湖拍鸟的人也越来越多。”当地摄影爱好者费明健日前对记者说。看着远处鸟儿飞翔、嬉戏、捕食，听着不时传来的鸣叫声，73岁的费明健感到很欣慰：“以前的七里海可不是现在这样，那时候过度开发，湖面大大萎缩，鸟儿也少多了。”就在十多年前，这里还是养殖池塘密布、水质恶化的另一番景象。当地以传统海洋捕捞、滨海水产养殖和种植业为主，还有造纸厂等污染较重的企业，致使生态系统遭到破坏，也制约着滨海旅游业的发展。从2016年起，北戴河新区开始推进全域环境综合整治，大力实施海岸带生态修复，持续提升生态环境质量。

三 | 秦皇岛市北戴河新区管委会副主任李鹏介绍，新区统筹污染治理、生态修复，系统实施蔚蓝、碧水、净土专项行动，全域淘汰燃煤锅炉、关停散乱污企业、封堵入河排污口，近年来国控河流、近岸海域水质优良率保持100%。

四 | 依托“蓝色海湾”整治行动，实施七里海潟湖湿地生态保护修复工程，退养还湿、清淤疏浚、修复岸线，逐步恢复了水清树绿的生态湿地景观。修复后，七里海潟湖的水面扩大了，归来的鸟儿也多了。北戴河新区分两批清退了七里海内的养殖厂房、围堰等构筑物，使潟湖面积扩大至853.47公顷，是修复前的3倍。区域生态功能得到改善，大型底栖生物个体密度平均值由修复前的每平方米20.71个增加到60.83个，鸟类由85种增加到165种。“每年10月至11月，丹顶鹤、白鹤会来七里海落脚觅食。12月左右，成群的灰鹤就会到这里越冬。”费明健说，这个候鸟南迁路上的“补给站”越来越热闹了。

五 | 生态治理好了，也带来了良好的经济与社会效益。

六 | 北戴河新区发展生态文旅、生态农业、现代海洋牧场等绿色产业，实现生态保护与产业富民良性循环，去年年底被生态环境部命名为“两山”实践创新基地。8月10日上午，蔚蓝天空下，阿那亚社区的白色礼堂临海而立，孤独图书馆面朝碧海，沙丘美术馆藏于金沙之间，游客们纷纷拍照打卡。阿那亚品牌中心媒介负责人袁梦瑜说：“很多客人第一次来是因为从网上看到的美图，但年年来，生态品质是重要原因之一。超七成回头客把‘自然环境优美、空气清新’列为重要理由。”利用海洋、沙滩、森林、湿地等生态资源，北戴河新区近年来推进大健康度假疗养产业项目近200个。北京游客张静每年都会和家人一起来北戴河新区避暑。

七 | 她说：“蓝色的大海、金色的沙滩、白色的鸥鸟、绿色的槐树林……来七里海，来北戴河新区，就是来享受一场多彩的康养游。”今年1至7月，新区景区共接待游客175.09万人次，同比增长6.35%；景区门票收入同比增长14.01%。生态红利不仅流向景区和社区，也流进了海洋牧场和乡村土地。

八 | 传统渔场转型现代化海洋牧场，4家单位获批国家级海洋牧场示范区，投放礁体超43.6万空方，投放各类苗种超5000万单位，海域生物多样性显著提升。

九 | 生态农业品牌效应成效显著，“留守营大米”凭借醇香味道成为备受游客青睐的“伴手礼”。七里海鸥鹭翩跹、滨海景区游人如织、海洋牧场鱼虾成群……在北戴河新区，生态颜值正转化为富民价值，老百姓在守护绿水青山的过程中共享着发展红利。（日报记者 潘文静 张 辉）。

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Published on:06:48:31